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Classical Weekend – 17th to 19th March 2017

Enter the kaleidoscopic world of classical music, Sheffield style.

We’re back with another three days of musical discovery – this year with an even more delightfully diverse set of bitesize concerts, all laid out on a platter for you to sample.

Wind your way around our musical city on a tuneful treasure trail through our best venues and beautiful buildings. Discover incredible talent from across the region, music from around the world and some very special guests.

With formal and informal concerts, pop-up performances and interactive shows, families, beginners and long-time music lovers can all make beautiful memories and brand-new connections. Indulge in the incomparable, indefinable experience of live music and find something that stays with you forever.

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Choral Music a la Carte

Here’s a new concept (I think): the audience at a choral concert chooses the programme. Intrigued?

Sheffield Chamber Choir is trying this out in Edale on Sunday 3rd July at 3pm. Now, the audience won’t be able to suggest any old thing for us to sing – we are providing a menu, neatly divided into courses, and they will choose several items from each course to provide a balanced meal.

There is an “amuse bouche” selected by the choir, and then the music for the Appetiser, Starter and Main Course are drawn from the Early Renaissance, Classical and Romantic, and Late 19th / 20th Century periods respectively. For dessert there is a selection of arrangements of Popular Classics.

Entry to the concert is free (there will be a retiring collection in aid of the Church Roof Fund, and the concert will be followed by tea and cakes.

Further details, and the full menu can be seen hereSCC Edale Poster a4

Crimes Against Taste Return to Sheffield

‘Tenor and Baritone’

A Musical Comedy exploring the hilariously tragic lives of two aspiring opera singers.

Saturday 4th June @ 7.30pm in Sheffield Library Theatre

Tickets £9 in advance (including booking fee)  / £12 on the door

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Graham Neal (tenor) and Jon Openshaw (baritone) are budding young opera singers dreaming of superstardom, but when their grumpy accompanist (Robert Webb) brings them down to earth with a few home truths, they are forced into a rethink… perhaps more diversity could hold the key to success…?

The show features two professional opera singers performing music as diverse as opera (mainly with the mick taken out of it) Flanders and Swann, Tom Lehrer, Dolly Parton, Rap and Pop wrapped up in a hilarious story line. You will laugh until you cry – and there really is something for everyone!

Crimes Against Taste are one of the UK’s finest (and only) classical-comedy-cabaret-crossover-acts! Here’s what the audience and reviewers have had to say about them:

“Absolutely brilliant”

“Witty and fun evening”

“…exemplary renditions of many of my comedy favourites… I’m already looking forward to your next performance”

“.. a lewd sense of humour can lurk beneath the proper exterior… The performance was slick and well-paced … murmurs of approval heard from the outset and some extremely positive audience feedback at the end”

www.facebook.com/CrimesAgainstTaste

twitter.com/TasteCrimes

Trailer of our previous show, ‘Tales of Lust, Love and Heartbreak’ :www.youtube.com/watch?v=lTRLTY-QQdk

St George and the Dragon

This Saturday is St George’s Day and Bel Canto will be celebrating the day in style.

There are two main items in the concert: Puccini’s Messa di Gloria and my new Dramatic Cantata – St George and the Dragon.

cover 2The Messa di Gloria was written when Puccini (1858-1924) was still very young, this piece shows the exuberance of youth, with a fair amount of skill, and is just plain fun. Puccini composed the Mass as his graduation exercise from the Istituto Musicale Pacini and It had its first performance in Lucca on July 12, 1880. Apparently it is not a true “Messa di Gloria” as these only had Kyrie and Gloria, but Puccini had already written a Credo (performed in 1878) and so perhaps, having written a new Kyrie and Gloria, decided to use the existing Credo, add a quick Sanctus, Benedictus and Agnus Dei (and these movements are really quite short) to complete the mass. The music is unashamedly operatic in nature, and those who know Rossini’s Petite Messe Solenelle will immediately recognise some of the styles. It is a great piece to perform and even better to listen to.

Alongside this work, you’ll be able to hear the first outing of my new dramatic cantata St George and the Dragon, written specially for the occasion. This witty telling of the story of our Patron Saint’s encounter with a Dragon features the choir as the concerned villagers, a heroic tenor (David Watkin-Holmes) as St George, a baritone solo (Peter Taylor) as the King of the town plagued by the Dragon, and a soprano soloist (Clare Wheat) as his slightly ditzy daughter, destined to be fed to the Dragon.

The words have been written by my ever-supportive parents, and the Cantata is accompanied by piano (the marvellous Jonathan Gooing) and percussion. The choir and soloists have enjoyed learning it, and the performance promises to be a great success.

 

Not the Eurovision

The Sterndale Singers innovative concert this Saturday, 16th May is an original alternative to the Eurovision Song Contest with music from 20 of the Countries which compete in Eurovision, presenting our own version of the competition. The programme, which as you will imagine is a real smorgasbord of musical delights – as varied a programme as you could wish to imagine – includes genres as varied as Renaissance polyphony from Italy and Spain, Folk Songs from all sorts of obscure places, exciting arrangements of texts by Shakespeare by a variety of composers, and, to use a slightly hackneyed phrase, in this plethora of musical styles, there really should be something for everyone. In addition there is the added excitement of watching and listening to the choir get to grips with at least nine different languages. “Why not twenty different languages?” we hear you cry. “that would really be fun!”. Fortunately many of our European composers write in English or Latin.

As well as supping on wine, cocktails or soft drinks, whilst listening to the music, audience members will be given the chance to vote for their favourite numbers during the evening – so if you have always wanted to shout “nul points” this will be your chance.

Here is a preview from Classical Sheffield

http://www.classicalsheffield.org.uk/untitled1.html

Further information is available from the choir’s website and on their facebook page and tickets can be ordered in advance through these.

Possibly the best concert programme ever?

Possibly the best concert programme ever?

Arguably not, but it is one of the best I have ever put together.

Tonight (Saturday 20th) at 7.30pm at St Maries’ Cathedral.

Tickets on the door.

Our programme is inspired by the well-loved ‘Miserere’ of Gregorio Allegri,and completed with works showing the beauty and power of sound, texture and timbre and revealing how a number of much more recent composers have incorporated Renaissance devices such as chanting, repetition, textural variation, polyphony, and antiphony (separate choirs in conversation) into their individual musical styles.

Allegri: Miserere mei; Britten: Hymn to the Virgin; Holst: Nunc Dimittis; Macmillan: In Splendoribus Sanctorum (Strathclyde Motets); Mealor: Stabat Mater; Rachmaninov: Bogoroditse Devo (Ave Maria); Tavener: Funeral Ikos and Magnificat (Collegium Regale)

Macmillan: Kiss On Wood and Part: Fratres (Violin – Dr David Milsom and piano Jonatha Gooing)